Bottled Lightning

Betty vs. Veronica: Archie finally makes a choice!

May 29, 2009 · 1 Comment



Nooooooooooooooooooooo!!!

This news saddens me so much. I grew up reading Archie. I have an extensive Archie collection at home. And ever since, I have always been batting on Team Betty. Archie and Betty have a more beautiful history together compared to the bitchy Veronica.

But on Archie 600 coming out on August 19, 2009, Archie finally makes a choice. In a first of a six-part series, Archie proposes to Veronica Lodge. What a bummer!

This is an epic fail. Betty and Archie forever. (Although take a closer look at the cover and zoom in on Jughead. He seems to be the one most affected by this. Poor Juggie. Archie-Jughead for the win! Hahaha!)

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Love and Other Disasters

February 25, 2009 · Leave a Comment

I couldn’t sleep last night so I decided to just pop in a movie. I only have a few films saved in my hard drive as I don’t have that much memory space anymore thanks to my pictures. These few films, I call them my healthy stash, films that fascinate me no matter how many times I’ve seen them. It was a toss between Paris J’etaime and Love and Other Disasters. I chose the latter mainly because the former was quite a bit long. I might end still up by the time the sun comes up.

So Love and Other Disasters it is. I saw this last around July of last year and wrote a blog on it. I don’t know how to tell you how much I love this movie. It’s light and feel good but very witty and intelligent. If you liked “Love, Actually”, you are so gonna love this film.

Anyway, I would like to share some beautiful, albeit hilarious, lines form the movie. The first one is very Scott Peck and the last one is kinda avant-garde in its approach. I love these lines. Don’t you?

***

Emily ‘Jacks’ Jackson: Stop living your life like you’re in some kind of movie.
Peter Simon: Excuse me?
Emily ‘Jacks’ Jackson: Stop trying to cast your love instead of just meeting him.
Peter Simon: When I meet him, I’ll know.
Emily ‘Jacks’ Jackson: I’m not so sure. Love isn’t always a lightning bolt, you know? Maybe sometimes it’s just a choice.
Peter Simon: Well, that’s easy for you to say! You’re flying to Argentina to meet the love of your life!
Emily ‘Jacks’ Jackson: That’s just it. I don’t know that Paolo’s the love of my life, but I’ve decided to give him the chance to be. Maybe true love is a decision. You know, a decision to take a chance with somebody. To give to somebody. Without worrying wether they’ll give anything back. Or if they’re gonna hurt you, or if they really are the one. Maybe love isn’t something that happens to you. Maybe it’s something you have to choose.
Peter Simon: So what do I do?
Emily ‘Jacks’ Jackson: Well, you could start by putting all of those fantasies of true love where they belong, into your work of fiction.

***

Therapist: Relationships are best measured by farting.
Peter Simon: Excuse me?
Therapist: The stages of a relationship can be defined by farting. Stage one is the conspiracy of silence. This is a fantasy period where both parties pretend that they have no bodily waste. This illusion is very quickly shattered by that first shy, “Ooh, did you fart,” followed by the sheepish admission of truth. This heralds a period of deeper intimacy. A period I like to call the “Fart Honeymoon”, where both parties find each other’s gas just the cutest thing in the world. But, of course, no honeymoon can last forever. And so we reach the critical fork in the fart. Either the fart loses its power to amuse and embarrass thereby signifying true love, or else it begins to annoy and disgust, thereby symbolizing all that is blocked and rancid in the formerly beloved. Do you see what I’m getting at?

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Benjamin Button’s Letter to His Daughter

January 20, 2009 · Leave a Comment

“For what it’s worth: it’s never too late or, in my case, too early to be whoever you want to be. There’s no time limit, stop whenever you want. You can change or stay the same, there are no rules to this thing. We can make the best or the worst of it. I hope you make the best of it. And I hope you see things that startle you. I hope you feel things you never felt before. I hope you meet people with a different point of view. I hope you live a life you’re proud of. If you find that you’re not, I hope you have the strength to start all over again.

- Benjamin Button, A Letter to His Daughter
The Curious Case of Benjamin Button, 2008

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Barack the vote!

November 4, 2008 · Leave a Comment

obabamaSomeone gets elected in the States today and I sure do hope its Barack Obama. Well, apart from the fact that anyone other than Bush is a relief, America (and the world) just might be a better place with someone like Mr. Obama.

It is not my place to discuss and/or talk about U.S. politics. And I don’t want to. I just wanted to say that Barack Obama rocks. I don’t care about what he has done and/or whether he’s going to live up to all he’s hyped up to be. Truth is, when he speaks, he makes me want to listen. He speaks in a very warm and inspired manner. He makes a speech in front of thousands seem like a personal conversation between two people. He does not just make me wish for a better world, he makes me want to do something about it. He is the kind of person I want to read about in biographies and discuss about in History classes. I want my children to talk about him in the future, about this black man who would be the first American president of color.

What truly sets him apart from his unworthy opponent is that, while McCain talks about policies, and problems that need fixing, and Sarah Palin, Obama talks about the redemption of history. Change is not about the policies he will be making. Change is about how we as individuals can orient our lives toward a life of integrity, dignity, and freedom.

I’m not talking about Obama the Democrat or Obama the politician. I’m talking about Barack Obama the inspirational leader. We need more of his kind joining politics and fixing the world one dream at a time.

He will mess up. He will be tested. He might even falter and fall and make wrong decisions. But with a man of his caliber–the deeper the fall, the grander the ascension.

I just hope America has learned her lesson. We’ll find out in a few hours.

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Hancock Is Hamlet In Disguise

November 1, 2008 · Leave a Comment

You see, this is why you shouldn’t rely on other people’s words when it comes to film (and other forms of visual art. You have got to see it with your own eyes before formulating your own conviction and/or opinion about it. On several occasions I have allowed other people’s opinion to persuade me into not watching a movie, or not go see a play, or decide to just miss a show.

I have regretted those moments.

A while back, I had a few friends who told me to not waste my money on Hancock. Yes, I am talking about that superhero movie with Will Smith in it. They told me it was nonsensical. Someone said it was incoherent. Another even went as far as saying it was stupid. Being broke as I was back then, I took their word for it. Partly because I couldn’t afford to waste another P150 pesos on a lame-ass movie.

At noon today, I wanted a movie to go with my lunch. I just wanted something light, not very “thinking” kind of movie to go with my half a cup of rice and a canned tuna. I went over my hard drive to see what else I have not seen among my stash. There was Hancock among many. Hmm. I paused for a few seconds to gather enough willpower to risk choosing it. Finally I said yes. This will be my lunch movie for the day.

And I am so glad I did. Because I loved it. So, sue me. Before you start throwing mud at me, allow me to provide you with enough reasons why you should have given this movie a second chance; i.e. if it failed you the first time. I believe the only reason you didn’t like it is because you expected it to be just a stupid, high-octane, blockbuster kind of film from the ever-reliable Prince of Bel-air. But it went much farther. Director Peter Berg and writers Vincent Ngo and Vince Gilligan just couldn’t resist.

Here is why Hancock deserves another pass, has to be rediscovered, and shown much love and appreciation:

An Avant-Garde Plot that puts a new twist to the old Shakespearean drama.

Blink and you’ll miss it. At surface, Hancock is a film about a reluctant superhero who is so badass and crude that instead of making the world a better place, he wreaks havoc with his own brand of heroics. He then meets a PR guy who convinces him to change his ways. And he did.

End of movie.

Nah! That’s not even part of the mainframe yet. That’s just the milieu. That’s just the backstory. That’s merely the setup. The real plot happens at the second half of the film. At half time, the movie begins to take a different direction. Clever really. The disguise is off. A plot last seen on Shakespeare’s pages begin to take over.

Take this: immortal beings with god-like superpowers created in pairs of male and female who must stay as far apart as they can from each other or they will lose their powers, become mortal, and become human. In other words, if they choose power and immortality, they’re actually choosing to be alone and away form their fated pair. If they choose their pair, they become human and thus get the opportunity to feel pain, love, grow old, and eventually die. Powerful, immortal, superhuman but alone? Or human, vulnerable, can love but powerless and mortal? You choose. Ay, there’s the rub! Sounds Greek Mythology to me.

And true to Shakespearean form, tragedy wins in the end. Not tragedy in the form of death as we know it but tragedy in the sense that, to avoid death and to save the lives of everyone, our heroes must choose to stay apart. Poignant. Brilliant. Tragic.

What Went Wrong

I’d say this plot would have worked wonders if this were a novel. The medium as film provided limitations that did not allow the plot to really have time to linger in its unfolding. The characters could have developed more had they been given more time. And we as audience should have spent more time into really getting into the psyche of our heroes and feel their pain to emphatize with them.

But we don’t have time for that. Commercial films have an average time limit of at most 2 hours for it to be chewed up by moviegoers. Giving more time for this kind of plot to develop might ruin its potential at the box office. And besides, this is a blockbuster superhero movie, not Hamlet! (Or at least that’s how this film is packaged. Honestly, this is more Hamlet than Hollywood for me. Another tale of a potentially brilliant plot ruined by money hungry producers and a misleading PR strategy. I digress.)

This film failed you because you went in for Hancock but got Hamlet in leather suit instead. Hamlet in leather suit might have worked if they gave him more time and we as audience were forewarned. It worked for “The Dark Knight”. It should have worked for this one, too. What happened was, they tried to give us both but in two separate halves. First half was Hollywood. And second half was writers’ integrity.

To those who hate this film, I suggest you go back to your TV room and give this film a do over. This time, learn to separate the chaff from the grain. Look beneath the surface and you will find a gem of a story worthy of merit.

But don’t take my word for it. See it for yourselves. And believe.

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Bamboo: Tomorrow Becomes Yesterday

November 1, 2008 · Leave a Comment

Bamboo understands musicality. This becomes more apparent in their latest album Tomorrow Becomes Yesterday released under EMI Philippines.

Most OPM bands today, especially the garish ones whose members are barely out of their teens, should learn a thing or two from Bamboo. There is no other band out there today that understands the soul of a record the way Bamboo does. Each record, each song has a certain spirituality. This spirituality has to organically flow from every guitar, every chord, every syllable uttered by the front man. Without this organic cohesion, no matter how truthful the lyrics may be and/or clean the record is, it won’t connect to the listener, to the audience.

This is already the band’s fourth album and it is now safe to say that Bamboo is currently the best band in the market. Their music is sophisticated, intelligent, and smooth. This is not your typical heart-on-the-shoulder, raw, angst-filled band. Bamboo makes pure, unadulterated music.

Their latest album is short but right on the mark. It contains 8 tracks, 3 of which are in Filipino. This may be their “jazziest” and funkiest album so far. The jazz and funk influences spread throughout the entire album. There is also a bit of reggae and blues plus, of course, frontman Bamboo Mañalac’s trademark “pseudo-rap”.

All the songs are relaxed but very strong in its impact. In this album, Bamboo shines the brightest in the 3 Filipino tracks. The first track “Kalayaan” is again a study in Filipino nationalism much like their previous hits “Noypi” and “Hallelujah”. The album’s carrier single “Kailan” is an inspiring anthem for the youth and the hopeless. I wouldn’t be surprised if this song turns up in leadership seminars and art workshops. The third Filipino song in the album, “Muli”, is a heart-warming honest-to-goodness love song. It’s a beautiful song that I’m sure will be part of people’s love story soundtracks from hereon.

This album is Bamboo’s best so far. Yet, dare I say, not everyone may be able to get into the soul of this one. This is not radio music. This is the kind of music you pop into your player because it’s Sunday morning, you can hear the rain falling on the tin roof, and someone’s there lying safely in your arms. This is the music you play because you are looking out a glass window from your 30th floor condo and its about to break dawn. This is the kind of music best played when the lights are turned down low, and your lying on your back on the sofa with beer in hand, happy with the conviction that not all Friday nights must be spent outside in bars and moviehouses.

Get your copy of this one and I am sure you’ll find your own peculiar moment with it. This is what real music should be about—organic, cathartic, and euphonious.

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Love by Pablo Neruda

November 1, 2008 · 1 Comment

Because of you, in gardens of blossoming flowers I ache from the
perfumes of spring.
I have forgotten your face, I no longer remember your hands;
how did your lips feel on mine?
Because of you, I love the white statues drow
sing in the parks,
the white statues that have neither voice nor sight.
I have forgotten your voice, your happy voice; I have forgotten
your eyes.

Like a flower to its perfume, I am bound to my vague memory of
you. I live with pain that is like a wound; if you touch me, you will

do me irreparable harm.
Your caresses enfold me, like climbing vin
es on melancholy walls.
I have forgotten your love, yet I seem to glimpse you in every
window.
Because of you, the heady perfumes of summer pain me; because
of you, I again seek out the signs that precipitate desires: shooting
stars, falling objects.


From Passions and Impressions
copyright © 1978 by the Estate of Pablo Neruda
Translation by Margaret Sayers Peden
copyright © by Farrar, Straus, and Giroux, Inc.



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On The RH Bill Issue

November 1, 2008 · Leave a Comment

Alam ko may pakialam ka, kahit papano.

I already have written my piece about this in my August 9 blog entry (click here). I am just so glad that 14 professors from the Ateneo are on the same side as me. I was not able to sign on this position paper when it was circulated on campus but if you have read my prior entry on this, you know exactly where I stand.

Here is/are a condensed version/excerpts of the 16-page position paper that these 14 brave professors came up with. And If I may, I would like to add my name on the list. If you agree with this position paper, copy the entire text, repost it on your blog and add your name on the list (even when you’re not a faculty member). Let the country know how you really feel about this. I know we are in a Catholic Institution and the position stated here might be disagreeable with the stand of the Catholic Church. Nevertheless, do not be afraid. We are doing this as INDIVIDUAL DISCERNING CHRISTIANS who have the right to be heard, the right to choose, and the right to stand by our convictions.

And If I may quote, again, Manuel L. Quezon III,

…it is fair and just to remind the hierarchy and the rest of the Catholic citizenry that our Republic does not exist for Catholics alone, and this means that their faith and morals cannot be made the exclusive basis for state policy.”

***

Position paper on the Reproductive Health Bill by individual faculty* of the Ateneo de Manila University

We, individual faculty of the Ateneo de Manila University, call for the immediate passage of House Bill 5043 on “Reproductive Health and Population Development” (hereafter RH Bill) in Congress. After examining it in the light of Philippine social realities, and informed by our Christian faith, we have reached the conclusion that our country urgently needs a comprehensive and integrated policy on reproductive health and population development, as provided by the RH Bill.

We also believe that the provisions of the bill adhere to core principles of Catholic social teaching: the sanctity of human life, the dignity of the human person, the preferential option for the poor and vulnerable, integral human development, human rights, and the primacy of conscience.

As Catholics and Filipinos, we share the hope and mission of building a Church of the Poor. We are thus deeply disturbed and saddened by calls made by some members of the Catholic Church to reject a proposed legislation that promises to improve the wellbeing of Filipino families, especially the lives of women, children, adolescents, and the poor.
Being a “Church of the Poor” urges us to be with and listen to the poor, so that their “joys and hopes… griefs and anxieties” become ours as well.We therefore ask those who denounce the RH Bill as “pro-abortion,” “anti-life,” “anti-women,” “anti-poor,” and “immoral” to consider the economic and social conditions of our people, as borne out by empirical evidence, and to recognize that the bill is, in fact, “pro-life,” “pro-women,” and “pro-poor.”


A call of conscience: Catholics in support of the RH bill

After studying the provisions of House Bill 5043 in the light of the realities of Filipino women, poor families, and our youth, we, individual faculty of the Ateneo de Manila University, speaking for ourselves and not for the University, have come to conclude that the Philippines urgently needs a national policy on reproductive health and population development.
We therefore strongly support the RH Bill’s immediate passage in Congress. We further believe that it is possible for Catholics like ourselves to support HB 5043 in good conscience, even as we recognize, with some anguish, that our view contradicts the position held by some of our fellow Catholics, including our bishops. We are aware that they have denounced it as “pro-abortion,” “anti-life,” “anti-women,” “anti-poor,” and “immoral.”
However, our reason, informed by our faith, has led us to believe and say otherwise. We assert that RH Bill is pro-life, pro-women, pro-poor, pro-youth, and pro-informed choice. By giving couples, and especially women, information on and access to “medically-safe, legal, affordable and quality” family planning methods (whether modern natural or modern artificial), the RH Bill seeks to avert unwanted, unplanned, and mistimed pregnancies, which are the root cause of induced abortions.
In that sense, the bill is not only pro-life but also pro-women, because it helps them to plan the number and spacing of their children, so as not to experience frequent and closely-spaced pregnancies that take a toll on their health and wellbeing.
Moreover, the RH Bill seeks to improve maternal and infant health by enjoining cities and municipalities to provide an adequate number of skilled birth attendants as well as hospitals rendering comprehensive emergency obstetric care.


Accessible contraceptives

HB 5043 is pro-poor because it makes contraceptives (including those requiring hospital services) more accessible and cheaper for Filipinos, especially for the poorest 20 percent, who have the highest unmet need for family planning (26.7%), and 2.5 children more than they desire and are able to feed, clothe, and send to school. The bill is also pro-youth, because it seeks to provide our young people the information and values they would need in taking care of their reproductive health, and in making responsible decisions regarding their sexuality, sexual behavior, and future family life.
Furthermore, the RH Bill is pro-informed choice. In seeking to promote both modern natural and modern artificial methods of family planning (with “no bias for either”), HB 5043 recognizes that couples, especially women, have the right to choose the family planning method that they consider to be the safest and most effective for them, provided that these are legally permissible.
Although natural family planning (NFP), which the Catholic Church promotes, offers many benefits, it is important to realize that pursuing an NFP-only population policy will be a disservice, if not a grave injustice, to women and couples for whom NFP simply cannot work. We are thinking of women who find it impossible to predict their infertile periods; or couples who see each other on an irregular basis; or women who are trapped in abusive relationships with men who demand sex anytime they want it.
Why is it morally wrong for such women and couples and even others not encompassed by the above situations to use a modern artificial family planning method that has been pronounced safe and non-abortifacient by health authorities, if their discernment of their particular situation has led them to conclude that such a method will enable them to fulfill the demands of marital love and responsible parenthood?


Bishops, respect women’s conscience

We respect the consciences of our bishops when they promote natural family planning as the only moral means of contraception, in adherence to Humanae Vitae (1968), which teaches that married couples who want to control and space births should “take advantage of the natural cycles immanent in the reproductive system and engage in marital intercourse only during those times that are infertile” (no. 16).
In turn, we ask our bishops to respect the one in three (35.6%) married Filipino women who, in their “most secret core and sanctuary” or conscience, have decided that their and their family’s interests would best be served by using a modern artificial means of contraception.
Is it not possible that these women and their spouses were obeying their well-informed and well-formed consciences when they opted to use an artificial contraceptive? We therefore ask our bishops and fellow Catholics not to block the passage of HB 5043, which promotes women’s and couples’ access to the full range of safe, legal, and effective modern natural and modern artificial family planning methods, from which they can choose the one most suitable to their needs and personal and religious convictions.
To campaign against the bill is to deny our people, especially our women, many other benefits, such as maternal and child health and nutrition; promotion of breastfeeding; adolescent and youth health; reproductive health education; prevention and management of gynecological conditions; and provision of information and services addressing the reproductive health needs of marginalized sectors, among others.
We call on the Catholic Church to let the RH Bill pass in Congress, and to consider forging a principled collaboration with the government in the promotion of natural family planning which Humanae Vitae deems morally acceptable, and in the formation of consciences with emphasis on the value of responsible sex and parenthood.
To our fellow Catholics who, in good conscience, have come to conclude, as we have, that we need a reproductive health law: we ask you to declare your support for HB 5043.
Finally, we call on our legislators in Congress and in the Senate to pass the RH Bill. Doing so upholds the constitutional right of spouses to found a family in accordance with their religious convictions; honors our commitments to international covenants; and promotes the reproductive health and reproductive rights of Filipinos, especially of those who are most marginalized on this issue–our women, poor families, and youth.

The RH bill supports youth’s right to information

Being educators, we are in favor of the RH Bill’s intent to offer “age-appropriate reproductive health education” to our children and youth. We affirm that this is key to providing young people the information and values they would need, not only to take care of their reproductive and sexual health, but also to arrive at sound and responsible decisions regarding their sexuality, sexual behavior, and family life, whether now or in the future.

In asserting the need for reproductive health education in schools, we are not negating the primary role of parents in educating their children on sex. We believe that families should provide the environment where children can raise their questions, feelings, and needs regarding sex. However, we also recognize that such discussions, in reality, rarely happen, with only, at best, one in five of the youth (15.7%) saying that they can talk about sex at home (2002 YAFSS 3).
Given this, reproductive health education in schools becomes all the more imperative. We share neither the view nor the fear that discussing sex in schools will make adolescents prurient and promiscuous. Rather, we trust that our youth have the capacity to make intelligent and value-driven choices regarding their sexuality and sexual behavior. As teachers, we believe that knowledge is empowering, and thus uphold our youth’s right to information and education on sex and reproductive health.
We would like to empower them to make responsible decisions now and in the future, first by providing them correct and sufficient information on reproductive and sexual health, and second, by helping them identify, articulate, and deal with their issues and sentiments regarding sex and their sexuality.

Marita Castro Guevara (Department of Interdisciplinary Studies)
Raymond B. Aguas (Department of Theology)
Liane Peña Alampay (Department of Psychology)
Fernando T. Aldaba (Department of Economics)
Remmon E. Barbaza (Department of Philosophy)
Manuel B. Dy, Jr. (Department of Philosophy)
Elizabeth Uy Eviota (Department of Sociology-Anthropology)
Roberto O. Guevara (Department of Theology)
Anne Marie A. Karaos (Department of Sociology-Anthropology)
Michael J. Liberatore (Department of Theology)
Liza L. Lim (Department of Sociology-Anthropology)
Cristina Jayme Montiel (Department of Psychology)
Mary Racelis (Department of Sociology-Anthropology)
Agustin Martin G. Rodriguez (Department of Philosophy)
Ralph Jacinto A. Quiblat (former Department of Theology/Ateneo Residence Halls)

*Note: These are excerpts from the paper of the authors. The opinions expressed in this paper are solely those of the authors and do not necessarily reflect the views of other faculty. Neither do they represent the official position of the Ateneo de Manila University nor the Society of Jesus.

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On “The Press”

August 2, 2008 · Leave a Comment

Most Impressive: Staged Reading of David Lloyd’s ‘The Press’


By Miguel Antonio N. Lizada

“The Poet as Critic. Ha!”

-Gruber to Ancel, from David Lloyd’s The Press

The literary world is often divided into two main territories: the domain of the creative writer and the realm of the critic. While many choose to immerse themselves with theory or swim in the beauty of language, there are some who dare cross boundaries and eventually master the mental geography of criticism and writing.

Staged reading of The PressLast July 25, students and practitioners of these two disciplines convened in the studio of the old Communication Department for a special staged reading of a play written by a prominent figure in contemporary literature. Kritika Kultura, an online journal of critics in Philippine Literature teamed up with the creative talents of the Fine Arts Program and Tanghalang Ateneo to stage a dramatic reading of David Lloyd’s “The Press.” The play was directed by Dr. Ricardo Abad, Tanghalang Ateneo’s artistic director. Assisting him was Dr. Victor Merriman who staged “The Press” in Dublin. Music and sound design were arranged my Enrique Estagle.

Staged reading of The PressIn the play, Prof. Lloyd, both a critic and a creative writer, weaves the creative process of the artist with the construction (and reconstruction) of the Nation and an individual’s Political Self.

Set in a prison cell, the play follows a long dialogue between the poet Ancel (played by Tatot Quiblat) and an old painter Gruber (Jovino Miroy). Throughout the play, Ancel, whose radical poems fueled a revolution that put into office a despot known as “The Boss,” contemplates on the repercussions of his actions and the cruel irony of his situation. His conversations with Gruber are interrupted by periodic visits of a military official named Feck (Glenn Sevilla Mas) who demands that Ancel now use his intellectual prowess to help The Boss build the political infrastructure of his empire; Ancel’s lover and The Boss’ daughter, Petra the Imperial Architect (Missy Maramara) who tries to convince Ancel to join her father’s cause; and Ancel’s prized students turned clowns, Hamm and Sham (played by Tito Cosejo and Mel Pante) who invite their former professor to their debut – a show where they would feature “translated” albeit simplified versions of the Poet’s works. Casted in the play too were BJ Crisostomo who played Spanos, Brian Sy and Paolo Deyto who played the prison guards and Xander Soriano who was the Narrator and Stage Manager of the staged reading.

Staged reading of The PressWe ultimately find in Ancel’s conversations, the powerful and inevitable dialogue between the Self and the Nation, the personal and the societal, the aesthetic and the political. Ancel’s cruel fate shows how the creative foundations of the artist can likewise be the critical building blocks of a nation’s infrastructure and how these reconstructions may in turn deconstruct that same artist’s personal aesthetics and convictions.

For indeed, the literary world is often divided into two main territories: the domain of the creative writer and the realm of the critic. And the world itself can be bounded in terms of the personal and the political, the private and the public. And if there is one thing that the audience of that staged reading should understand, it is how boundaries themselves are artificial and breakable. Ancel’s fate shows how the aesthetic and the political are one. And the collaboration of Kritika Kultura, the Fine Arts Program and Tanghalang Ateneo in staging the work of a critic and a creative writer, demonstrates how aesthetic criticism can be contained within an art form itself and how an art’s work merits – performed, textual, visual – can be judged according to its intellectual capacity to re-map conventions.


Photos courtesy of Enrique Estagle and Reamur David

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Come and Watch David Lloyd’s “The Press”

July 25, 2008 · Leave a Comment

The Department of English
Ateneo de Manila University
School of Humanities

Kritika Kultura

invites the community to a staged reading of

The Press by
David Lloyd

Featuring

Tats Quiblat as Ancel
Jovi Miroy as Gruber
Missy Maramara as Petra
Glenn Sevilla Mas as Feck
Tito Cosejo as Hamm
Mel Pante as Sham
BJ Crisostomo as Spanos
Brian Sy as Private 1
Paolo Deyto as Private 2

with

Xander Soriano as the Narrator/Stage Manager

July 25, 2008
4:30 – 6:30 p.m.
The old Communication Department Studio
(beside the College Covered Courts)
Ateneo de Manila University Campus

ADMISSION IS FREE!!!


About the reading:

This staged reading of the play “The Press” written by David Lloyd is directed by Dr. Ricardo Abad, Artistic Director of Tanghalang Ateneo and Professor of Sociology and Anthropology of the Ateneo de Manila University. He is assisted by Dr. Victor Merriman who staged this play in Dublin.

About the writer:

David Lloyd, Professor of English at the University of Southern California , is the author of Nationalism and Minor Literature (1987); Anomalous States (1993); Ireland After History (2000) and Irish Times: Essays on the History and Temporality of Irish Modernity (forthcoming 2008). He is currently at work on two further books, A History of the Irish Orifice: the Irish Body and Modernity and a study of Samuel Beckett’s visual aesthetics. He has co-published several other books: Culture and the State, co-authored with Paul Thomas (1997), The Politics of Culture in the Shadow of Capital (1997), with Lisa Lowe, and The Nature and Context of Minority Discourse (1991), with Abdul JanMohamed. A poet and playwright, he is in the International Board of Editors of Kritika Kultura. His major publications easily mark Prof. Lloyd as an important intellectual in literary and cultural studies today.

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